Clare Nina Norelli

About Author:
Clare Nina currently writes the "Undertones" column for Sound on Sight and is also a composer/musician based in Perth, Western Australia. She had written the scores for several short films and studied Musicology in 2008, writing a dissertation on the film music of Bernard Herrmann. Apart from spending the vast majority of her time watching "Six Feet Under" and "The Sopranos" on a constant loop, she also enjoys the films of such directors as Wim Wenders, Jim Jarmusch, David Lynch, Billy Wilder, Alfred Hitchock and Vittorio De Sica. Her favourite films include Vertigo, Taxi Driver, Paris, Texas, The Assassination of Jesse James by the Coward Robert Ford, Dead Man, Umberto D and Mulholland Drive. WEBSITES: http://www.myspace.com/pianonoir http://theghostofyesterday.blogspot.com/

Website: http://theghostofyesterday.blogspot.com/

Sound Upon Sound: The Conversation

Sound Upon Sound: The Conversation

Undertones: Volume 11 Having the misfortune of being dwarfed by the releases of the critical and commercial giants, The Godfather (1972) and The Godfather II…

Nothing Out There

Nothing Out There

Undertones: Volume 10 In 1977, amongst works by Beethoven, Chuck Berry and examples of indigenous music from around the world, Blind Willie Johnson’s mournful blues…

Future Shorts Arrives In Australia

Future Shorts Arrives In Australia

On 19th June, Future Shorts will be having its Australian launch in Perth, Western Australia. Future Shorts is one of the leading and most innovative…

Sonic Isolation: Jonny Greenwood’s score for There Will Blood

Sonic Isolation: Jonny Greenwood’s score for There Will Blood

Undertones: Volume 9 Dissonant strings buzz malevolently, rising from the audio depths and as a shot of uninhabited terrain in the American West is shown…

5 Memorable Film Scores of the 00s

5 Memorable Film Scores of the 00s

Undertones: Volume 8 As we approach the end of the decade, it seems fitting that this installment of Undertones concern itself with some of the…

Tortured Overtures: Horror Film Score Themes of the 1970s

Tortured Overtures: Horror Film Score Themes of the 1970s

Undertones: Volume 7 It’s the time of the year again where folks’ minds turn to the macabre and the ghoulish; where death is celebrated rather…

Scores from Outer Space

Scores from Outer Space

Undertones: Volume 6 The classic science fiction film emerged during a period of great societal paranoia in the US in the early 1950s. The post-WW2…

Sweet Sadism: Angelo Badalamenti’s Score for Blue Velvet

Sweet Sadism: Angelo Badalamenti’s Score for Blue Velvet

Undertones: Volume 5 Removing the veneer of squeaky-clean suburban American life to reveal its seamy underbelly, David Lynch’s 1986 film, Blue Velvet, is a modern…

The Drone of Dead Man

The Drone of Dead Man

Undertones: Volume 4 Jim Jarmusch’s transcendental western, Dead Man (1995), is the tale of a spiritual and physical journey taken by an ordinary man named…

Scoring the Silents

Scoring the Silents

Undertones: Volume 3 From the beginning of cinema theatre owners tried a variety of methods in which to add sound to film. Initially the reasons…

Hooch ‘n’ Harmonies

Hooch ‘n’ Harmonies

Undertones: Volume 2 In the 1940s the consumption of alcohol was predominantly glamorised on the silver screen. Starlets sipped sensuously on their g & t’s…

The Sound of Falling: Bernard Herrmann’s Score for ‘Vertigo’

The Sound of Falling: Bernard Herrmann’s Score for ‘Vertigo’

Undertones: Volume 1 Bring up Alfred Hitchock’s Vertigo (1958) in conversation to anyone who has seen it and you are bound to get one of…