Posts by Daniel Elisevich
Shutter Island Review #2
Shutter Island does not measure up to Scorsese’s acknowledged directorial capacity. His flair for innovation and the uniqueness of his storytelling are better directed toward a simpler design, not the blockbuster horror epic with its altogether fatuous termination. Shutter Island … [Read the Rest]
The Femme Fatale
It is arguable that women live in a “man’s world”. Women, it might also be argued, possess certain physical attributes of appeal to men that allow them considerable advantage under some circumstances. Such attributes coupled with certain behavioral subtleties often … [Read the Rest]
A Genre Adapted Through Time
Filmmakers are confronted with the perennial challenge of intriguing their audience with new cinematic experiences – the challenge of innovation. When a traditional genre transcends time, it is often altered to slake this thirst for the new. Consequently, such an … [Read the Rest]
The Noir Loser
The debut of a number of distinctive personalities is one of the important features of film noir. Noir’s main character, for instance, may appropriately be labeled the noir loser. He is a handsome, middle-aged man who seems to blur the … [Read the Rest]
A Glimpse into the Origins of Film Noir
A term that translates to ‘Black Film’ already sounds interesting. Add to that dramatic, highly stylized cinematography and hard-hitting, gritty writing, and the appeal of film noir is clear. The term is mostly attributed to works such as Double Indemnity, … [Read the Rest]
A Take Above the Rest
The ‘long take’, a film technique born in the middle of the 20th century, is often neglected by modern directors in favor of a more rapid-fire, MTV-inspired editing style. In fact, as the medium grows older, the average shot length … [Read the Rest]










