<?xml version="1.0" encoding="UTF-8"?><!-- generator="WordPress/2.9" -->
<rss version="0.92">
<channel>
	<title>Sound On Sight</title>
	<link>http://www.soundonsight.org</link>
	<description>Film Podcasts, movie reviews, interviews and news dedicated to genre film</description>
	<lastBuildDate>Tue, 16 Mar 2010 15:41:59 +0000</lastBuildDate>
	<docs>http://backend.userland.com/rss092</docs>
	<language>en</language>
	
	<item>
		<title>Sound On Sight Radio #193: Green Zone / Repulsion</title>
		<description><![CDATA[
Paul Greengrass, director of United 93 and the last two Bourne thrillers, returned this past week with his long-gestating (and expensive) passion project Green Zone, which reunited him with Bourne star Matt Damon but transplants the action to Iraq in 2003, in the aftermath of &#8220;shock and awe.&#8221; Simon and returning guest Eduardo Lucatero will [...]]]></description>
		<link>http://www.soundonsight.org/sound-on-sight-radio-193-greenzone-repulsion/</link>
			</item>
	<item>
		<title>Sound On Sight Radio #192: Director Joon-ho Bong</title>
		<description><![CDATA[
The past decade has seen the dramatic emergence of a South Korean national cinema, one bursting forth with inventive genre films and intriguing directors. Perhaps none are as consistently adored as Joon-Ho Bong, whose newest flick, Mother, finally arrives stateside this week after making its debut at Cannes last year. We&#8217;ll be taking a look [...]]]></description>
		<link>http://www.soundonsight.org/sound-on-sight-radio-192-director-joon-ho-bong/</link>
			</item>
	<item>
		<title>SXSW Review: Enter The Void</title>
		<description><![CDATA[&#8220;Enter The Void explores the contours of reality and screen representation, seemingly probing the very nature of existence. Its final, transcendent moments summate a unique experience and achievement, albeit one not for the faint hearted or easily offended.&#8221;

-
Enter The Void
Directed by Gasper Noé
Ever since the notorious Irreversible prompted the dubious honor of causing the largest [...]]]></description>
		<link>http://www.soundonsight.org/sxsw-review-enter-the-void/</link>
			</item>
	<item>
		<title>SXSW Review: The Loved Ones</title>
		<description><![CDATA[


The Loved Ones is a vivid, sometimes scary, sometimes funny, relentless thriller.


The Loved Ones
Directed by Sean Byrne
Sean Byrne&#8217;s debut feature, The Loved Ones, crosses various horror touchstones, touching on teen angst, torture porn, melodrama and conventional slasher tropes. It&#8217;s a gore-filled shocker that goes for laughs by paying homage to the outlandish low-budget video nasties [...]]]></description>
		<link>http://www.soundonsight.org/sxsw-review-the-loved-ones/</link>
			</item>
	<item>
		<title>SXSW Review: Kick-Ass</title>
		<description><![CDATA[


Kick-Ass is approached with a keen sense of humor, surprising wit, and a delicate blending of virtue and filth in a way that turns the cookie cutter world of comics upside down.


Kick-Ass
Directed by Matthew Vaughn
With the rapid succession of superhero movies to hit the theaters, distinguishing oneself from the masses is easier said than done.  [...]]]></description>
		<link>http://www.soundonsight.org/kick-ass/</link>
			</item>
	<item>
		<title>Lady Gaga &amp; Beyonce in Telephone</title>
		<description><![CDATA[Thursday night at 11:30 p.m. EST, the highly anticipated  and Beyonce video &#8220;Telephone&#8221; made its world premiere.  The nearly 10-minute extravaganza directed by Jonas Åkerlund (director of the infamously bad  Spun) was inspired by the work of Quentin Tarantino — Kill Bill in particular. (The actual pussy wagon even makes an appearance.)  They story [...]]]></description>
		<link>http://www.soundonsight.org/lady-gaga-beyonce-in-telephone/</link>
			</item>
	<item>
		<title>Repo Men</title>
		<description><![CDATA[Repo Men
Directed by Miguel Sapochnik
Have you ever seen Repo! The Genetic Opera? It premiered at Fantasia on July 18th, 2008 to a packed house. Upon receiving mixed reviews the film obtained a limited theatrical release in North America the following winter and was finally released on DVD a few months later.
Surely you must be asking [...]]]></description>
		<link>http://www.soundonsight.org/repo-men/</link>
			</item>
	<item>
		<title>Trailer: The Twilight Saga: Eclipse</title>
		<description><![CDATA[As Seattle is ravaged by a string of mysterious killings and a malicious  vampire continues her quest for revenge, Bella once again finds herself  surrounded by danger. In the midst of it all, she is forced to choose  between her love for Edward and her friendship with Jacob — knowing that  [...]]]></description>
		<link>http://www.soundonsight.org/the-twilight-saga-eclipse/</link>
			</item>
	<item>
		<title>The Best Films of the Decade: 2000 – 2009 Part 2 (Revised)</title>
		<description><![CDATA[134- Birth (2004)
Directed by Jonathan Glazer
Genre: Drama 
A stylistically bold movie that combines the surrealist work of Luis Buñuel while evoking the austere technical mastery of Stanley Kubrick, Birth is visually dazzling, always unpredictable and features lingering performances by Nicole Kidman and 11-year-old Canadian actor Cameron Bright. Coupled with an intriguing premise about death and [...]]]></description>
		<link>http://www.soundonsight.org/the-best-films-of-the-decade-2000-%e2%80%93-2009-part-2-revised/</link>
			</item>
	<item>
		<title>Green Zone</title>
		<description><![CDATA[


Whilst The Hurt Locker unfolded in a theatre that felt metaphoric, Green Zone wears its heart on its sleeve and is unashamedly partisan in its political sniping of piercing accuracy


Green Zone
Directed by Paul Greengrass
We used to have to wait a decade before the cinema could fully digest the impact and consequences of that most grave of political [...]]]></description>
		<link>http://www.soundonsight.org/green-zone/</link>
			</item>
	<item>
		<title>Why This Year’s Academy Awards Have Me Worried About the Future of Film</title>
		<description><![CDATA[
I must admit the outcome of this year’s Academy Awards has me a bit skeptical for the future of this famed award show. First and foremost, I want to discuss the bestowment of best picture to The Hurt Locker. Now before you write me off as some pessimistic dissident with no substantive evidence to frame [...]]]></description>
		<link>http://www.soundonsight.org/why-this-year%e2%80%99s-academy-awards-have-me-worried-about-the-future-of-film/</link>
			</item>
	<item>
		<title>Mother</title>
		<description><![CDATA[


Mother is a strange and compelling film that stretches the bounds of audience sympathy, and manages to work equally well whether or not it is maintained for its entire running length


Mother
Directed by Joon-Ho Bong
Maternal pain is the driving force behind Korean wunderkind Joon-Ho  Bong&#8217;s fourth feature, acting as the practically exclusive catalyst for a [...]]]></description>
		<link>http://www.soundonsight.org/mother/</link>
			</item>
	<item>
		<title>Sound On Sight Radio #190: Claire Denis / Academy Awards</title>
		<description><![CDATA[
Claire Denis&#8217; 35 Shots of Rum turned out to be 2009&#8217;s biggest movie &#8211; in film snob circles, that is. Since we&#8217;ve already discussed that film, Rick, Simon and special guest Olivier Creurer tackle three of Denis&#8217; other acclaimed features &#8211; Beau Travail, Trouble Every Day, and L&#8217;Intrus &#8211; with varying degrees of success. And [...]]]></description>
		<link>http://www.soundonsight.org/sound-on-sight-radio-190-claire-denis-academy-awards/</link>
			</item>
	<item>
		<title>Sound On Sight Radio #191: Director Tim Burton</title>
		<description><![CDATA[ 
Director Tim Burton never grew up. Normally, this would mean that he should be making Rob Schneider movies. But since he seems to have spent his never-ending childhood making pets out of things he dug up in the graveyard, his dark, simplistic, highly stylized films have taken on the form of gothic fairy tales, [...]]]></description>
		<link>http://www.soundonsight.org/sound-on-sight-radio-191-director-tim-burton/</link>
			</item>
	<item>
		<title>Trailer: Iron Man 2</title>
		<description><![CDATA[
The world is aware that billionaire inventor Tony Stark (Robert Downey Jr.) is the armored superhero Iron Man. Under pressure from the government, the press, and the public to share his technology with the military, Tony is unwilling to divulge the secrets behind the Iron Man armor because he fears the information will slip into [...]]]></description>
		<link>http://www.soundonsight.org/trailer-iron-man-2/</link>
			</item>
</channel>
</rss>
