‘Frankenweenie’ is a Love Letter to Classic Monster Movies… as Written by Chris Farley

Frankenweenie

Frankenweenie
Written by John August, story by Tim Burton and Leonard Ripps, based on Tim Burton’s short film Frankenweenie
Directed by Tim Burton
USA 2012 imdb

A feature-length, black and white 3-D animated expansion of his original black and white live action short film, Frankenweenie is an amazing technical achievement by Tim Burton. The film looks fantastic and for once the 3-D isn’t just an excuse for Hollywood to dip their sticky fingers into your wallet. Rather than constantly thrusting objects into into your face like most 3-D horror films, Burton uses the technology to create a film environment to draw in the audience, apparently taking his cue from Henry Selick’s immersive animated masterpiece Coraline. Characters are blocked like in a theatre piece, moving from upstage to downstage as necessary. In the film’s best sequence, Burton draws the audience into the middle of a burning building, pulling the audience into harm’s way rather than throwing danger at them.

Sadly, the story and characters featured in the film are nowhere near as interesting as the way that they are presented.

Mr. Rzykruski is Vincent PriceLike Burton’s original 1984 short film, Frankenweenie is built around young filmmaker, and budding science nerd, Victor Frankenstein (Charlie Tahan), who makes 3-D films starring his dog Sparky. Forced by his father (Martin Short) to play baseball, Victor improbably hits a home-run off ace pitcher Toshiaki (James Hiroyuki Liao) only for tragedy to strike when Sparky runs across the street to retrieve and return the ball. It feels like a Burton humble-brag or an Emo Williams joke, “I played baseball when I was a kid. Hit a home run in my first at-bat. While I was running the bases and celebrating, my dog ran to get the ball and was run over by a car. I never played again.”

After being taught by his science teacher Mr. Rzykruski (Martin Landau channelling Vincent Price) how jolts of electricity can make a dead frog twitch, Victor digs up Sparky from the New Holland Pet Cemetery, stitches him back together, adds square bolt screws in his neck to conduct the electricity and builds a platform to harness the lightning and zap Sparky back from the dead.

It’s a good start and Frankenweenie does have some interesting ideas.

Edgar "E" GoreRather than having the traditional nerd vs. jock, mean girl vs. smart girl dynamic, everyone in Victor’s class is a weird outsider. The best athlete is the Japanese kid Toshiaki. The other kids in the class include the fat kid Bob (Robert Capron), tall weirdo Nassor (Martin Short channeling Bela Lugosi), the hunchbacked kid Edgar ‘E’ Gore (Atticus Shaffer), the spooky, blonde occult girl (Catherine O’Hara) and the goth girl Elsa Van Helsing (Winona Ryder). Underlining how strange the class is, everyone in it (with the possible exception of Elsa) wants to win the science fair. When Edgar finds out that Victor has reanimated Sparky, it leads to a science fair arms monster race with everyone using Victor’s idea to bring their own experiment to life.

Mr. Whiskers Prophetic PooUnfortunately, this leads to psychic cat Mr. Whiskers (who has prophetic poos) being genetically combined with a dead bat – turning the film’s most interesting character into a snarling Christopher Lee homage.

Toshiaki and his pet turtle ShelleyThat, in a microcosm, is the film’s problem. It forsakes originality to quote other, better films. There is nothing wrong with a film quote, but Frankenweenie is a film quote machine. At first, the allusions (Mr. Rzykruski is Vincent Price! Elsa’s dog is the Bride of Frankenstein! Edgar’s dead fish is The Invisible Man crossed with Piranha!) are amusing diversions, but as the film accelerates to a climax, the film quotes also accelerate until every scene is an allusion to some other film and Frankenweenie becomes nothing more than a chain of film quotes one after the other. (Godzilla! Gamera! The Mummy! The Fly! Gremlins! Ben! DraculaJurassic Park! C.H.U.D.Frankenstein! House of DraculaDracula vs. FrankensteinThe Blob!)

Elsa is LydiaThe Cabin in the Woods had a similar final reel homage eruption problem, but managed to harness the chaos to deepen its original story. Frankenweenie, on the other hand, sacrifices character development and originality on the altar of homage.

Symptomatic of this is casting Winona Ryder as the teenage Elsa Van Helsing seemingly just so that Winona can quote her own lines from Beetlejuice.

The result is a film that feels like a love letter to classic monster movies as written by Chris Farley. “Remember that time when I made truly original, funny horror films with characters that we had never seen before?” Yeah, Tim we do. Maybe next time you could make one rather than reminding us of what you used to make and what inspired you to make them.

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By Michael Ryan

Michael Ryan is the Festival Director for the YoungCuts Film Festival (www.YoungCuts.com) Every year, we present our Top 100 Great Short Films by the World's Best Young Filmmakers 25 and under. We are now accepting submissions for the 2013 Festival. On his blog (www.Llakor.blogspot.com) he very sporadically writes about YoungCuts, films, comics and his odd involvement in professional wrestling.

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4 Responses to ‘Frankenweenie’ is a Love Letter to Classic Monster Movies… as Written by Chris Farley

  1. DownByTheRiver October 8, 2012 at 2:18 am

    ‘Member that time that retard said the movie sucked without seeing the damn thing?

    Reply
  2. Mel October 7, 2012 at 12:41 am

    Actually, I thought the homage after homage feel was the point and, dare I say it, worked to the film’s advantage. While the movie wasn’t necessarily anything of the walls amazing, I feel like that wasn’t the point; this was just his way of thanking the old monster movies he used to watch for helping nourish such a great imagination. The result was probably the funnest, if not best movie he’s ever made.

    By the way, this garbage about the background characters not being interesting is pure tripe. The only characters I didn’t find completely enthralling were Victor and Elsa (who didn’t feature much in the movie anyway) and they still weren’t BAD characters, just normal ones. Toshiaki and Nassor were brilliantly wicked and very memorable characters.

    All in all, this was a great movie; the stop motion was fantastic, the writing worked to the strength of the characters and the third act alone is worth the 11 bucks to get in.

    Reply
  3. Godzilla,friend to all monsters October 6, 2012 at 2:35 am

    Film sucked.Didn’t see it,but I know it.

    Corpse bride sucked,and so will this one :/ :/ :/ :/ :/ :/

    Reply
  4. Ricky October 5, 2012 at 3:52 am

    Wow I actually agree with you.

    Reply

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