Those familiar with Gaspar Noé’s previous feature, 2002’s Irréversible, have reason to be wary of Enter the Void, his latest rumination of the cruelty of life. Famous for the ten-minute stationary camera scene of Monica Bellucci’s anal rape, Noé explores the more stomach-turning head-trip elements of that film in even more disturbing grandeur. Noé continues to use cinema as a tool to challenge and aggravate. Experimenting with new technology that seamlessly enhances his visual style, he delivers a boundary-pushing experience that is sure to be talked about for years to come.

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